Tag Archives: Berea KY

Finally on Our Stage: Salem’s Daughter Brings Suspense to The Spotlight Playhouse

Just in time for spooky season, we are excited to welcome you back to our seats for a production that has been a long time coming. The Spotlight Playhouse and our partners at The Bluegrass Players are proud to present Salem’s Daughter by Craig Sodaro, from Pioneer Drama Service.

This is the second time Spotlight has staged Salem’s Daughter. Our first production was in 2019. A return was scheduled for the season that COVID shut down, and that one never made it to the stage. So this is only the second time we have performed this show, and only the second time local audiences will see it here. We are glad to finally bring it back.

We think this play is a perfect fit for an autumn evening at the theater. Directed by Dana Hendren, this production goes well beyond a standard ghost story, and there is a specific structure to the play that makes it so engaging.

The show does not take place entirely in the past. It opens with a very short scene where we hear a judge condemn a witch. That brief prologue establishes the history hanging over the story, and then the play jumps forward.

Act One belongs to the characters as teenagers. Act Two brings those same characters back to the stage as adults, roughly a decade later. Watching them grow up right in front of you is one of the most fascinating parts of the show. The decisions they make when they are young do not disappear when they graduate, move away, and enter the adult world. The past has a way of keeping up with us.

That timeline gives our cast a real challenge. They are not playing two different characters. They are playing the same person at two very different points in life. Under Dana Hendren’s direction, our actors are finding the teenager in the first act and then showing you the adult that teenager became in the second. That takes more than a change of clothes. An actor has to think about how a person carries themselves at seventeen compared with nearly thirty. How do they speak? What has changed in their confidence? What old fears are still sitting just under the surface? What happens when someone has spent ten years trying to put a dark secret behind them, only to have it come rushing back?

And there is a mystery at the heart of this show. Salem’s Daughter has a real twist, and we are not going to tell you what it is. We would much rather have you sit in the dark of our theater and work it out along with the characters. You will not be waiting for someone to jump out from behind a door every five minutes. You will be watching people, listening to what they say, and noticing what they leave unsaid.

We also believe a community theater needs room for more than children’s shows and musicals. We love our youth productions, and they are a huge part of who we are. But grown-ups need stories too. There is something satisfying about sitting down in a theater on a Friday or Saturday night and letting a cast take you somewhere for a couple of hours.

That partnership with The Bluegrass Players is exactly why we can offer this. They bring the acting talent, and we provide the venue and the technical direction. Together, that gives local actors a place to do serious work on a serious play.

Salem’s Daughter is recommended for ages 13 and up. The show runs two weekends, September 18 through 27, 2026, at The Spotlight Playhouse, 214 Richmond Road in Berea. Performances are Fridays and Saturdays at 8:00 p.m. and Sundays at 4:00 p.m.

Come sit with us and see if you can figure out what is going on before the characters do. Just remember, we are not telling you the twist.

Tickets are available online at thespotlightplayhouse.com or through our TicketSource listing. We cannot wait to see you there.

Why Putting Little Kids on Stage Is Good for Them and Why You Should Show Up

Every August, the Spotlight Playhouse fills its tiny front row with parents, grandparents, siblings, and neighbors who came for one reason. They came to watch a six-year-old sing a song they practiced for three weeks.

That room is small, but what is happening in it is bigger than the show.

This year’s reminder is Shrek the Musical KIDS, presented by Spotlight Acting School, running August 28 through 30 at The Spotlight Playhouse, 214 Richmond Road in Berea. The cast is ages 4 through 11, directed by Daesha Miller. Friday and Saturday performances are at 6:00 p.m., with Sunday at 2:00 p.m. The whole thing runs about 30 minutes. That is about the length of a preschooler’s attention span, which is not an accident.

That short runtime tells you something the program never says out loud. Shows for little kids are not miniature adult theater. They are built around the people on stage, not the other way around.

What kids actually get out of it

The obvious benefit is confidence. A child who has never stood in front of anyone and spoken lines into a quiet room learns, fairly quickly, that people will listen. Not perfectly, not every time, but often enough to matter.

Then there is the practical stuff nobody puts on a postcard. A kid remembers a cue, moves from one spot to another without bumping a friend, waits through a song they are not in until the microphone comes back. Those are real skills, not theater tricks, and they carry into a classroom, a family dinner, a playground argument.

A 4-year-old who learns to sit still while another kid performs is practicing something adults never fully master. It is patience with other people’s moment.

A 9-year-old who forgot a line and kept going anyway is learning the one lesson that matters in any room. Keep going.

And the kids who never get the lead role are learning the lesson that matters most in community life. You can be part of something without being the reason it works.

Why the audience matters

Children’s theater survives on audience behavior more than ticket sales.

A half-full house tells a kid the room was lucky to have them. A packed house tells a kid the room was waiting for them. Neither is a lie. They are two different truths, and little kids can feel the difference in a way adults stop noticing.

The adults who show up early, stay through the final bow, and clap for the kid who forgets a word are not just being nice. They are sending a signal that matters more than any director’s note. What you did was worth seeing.

That signal is why the Friday Pay What You Can performances for this show matter. Unsold tickets open two hours before showtime, which means a family that did not plan ahead still has a chance. A child who would never have walked in the door gets to stand on the stage, and a family that was not sure they could afford it gets to find out they could.

The part that does not fit in a program

Not every kid who steps on stage at age six becomes a performer. Some become teachers, mechanics, nurses, coaches, people who speak up in a meeting because they once learned that their voice could be heard. Some never step on a stage again and still benefit from the one time they did.

That is the honest case for supporting children’s theater. It is not a pipeline. It is a one-time gift to a kid who may never get another one.

The Bluegrass Players and Spotlight Acting School both build their work around that idea. A community theater is not just entertainment for an audience. It is something a kid can carry out the door and into a life adults cannot predict.

What you can do on a random Thursday

When Shrek the Musical KIDS opens on August 28, consider showing up for one of the Friday name-your-own-price performances, especially if you have never been to a show with a cast this young. Sit near the front where the kids can see you. Clap for the one who forgets a line. Stay until the end.

If you do, you are not just buying a ticket. You are answering a six-year-old’s unspoken question. Was any of that worth it?

For the cast and the adults who brought them to the stage, the answer is already yes. Your job is to tell them so.

Puffs Opens at the Spotlight Playhouse: A Wizarding Comedy From the Back Row

Puffs Opens at the Spotlight Playhouse: A Wizarding Comedy From the Back Row

Everybody knows the boy who lived. But what about the students who sat behind him in class, never picked for the big quest, and still showed up to magic school every morning? This August, the Spotlight Playhouse hands the spotlight to those kids.

Presented by Spotlight Acting School, Puffs runs August 14 through 23 at The Spotlight Playhouse, 214 Richmond Road in Berea. Performances are Fridays and Saturdays at 7:00 p.m. and Sundays at 2:00 p.m.

A story from the students in the background

Matt Cox’s comedy follows a band of well-meaning underdogs who make it through seven years at a certain school of magic while the famous hero commands the room. The play is a light comedic take on the familiar wizarding world, built around an ensemble of characters who are there because they have to be, and who have to find their own place in the story.

Spotlight is staging the Young Wizards Two Act version, the cut of the show that works for all audiences. That version keeps the fast, funny energy and the big ensemble shifts that give the piece its shape.

Good to know before you go

Tickets: Available through TicketSource. Friday performances are Pay What You Can, with name-your-own-price admission. Unsold seats release two hours before showtime.

Runtime: About two hours, including intermission.

Accessibility: Wheelchair-accessible seating with companion space is in the front row. If you have special needs, just let us know when you arrive.

Location: The Spotlight Playhouse, 214 Richmond Road, Berea, KY 40403.

The production is presented through special arrangement with Concord Theatricals of New York.

Why it’s worth the trip

Community theater in Berea runs on neighbors showing up for neighbors. Whether you have read every wizarding book or just want a funny night out close to home, Puffs puts the forgotten students front and center for one August. Catch it at your local theater.